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#VEGASSTRONG IS #VEGASWRONG

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              You would have to think that the largest shooting massacre in the history of the United States would bring the country together but it hasn’t.  Director Ramsey Denison revisits the night of terrorism from Stephen Paddock who unleashed hell on thousands of fans of a country music festival right in the heart of  Las Vegas.  Many perished and many were injured but to think that the victims of that night would be compensated by the city or Mandalay Bay would be the right thing to do?  Unfortunately, that wasn’t the case.
              The documentary Money Machine focuses on the victims of the night as they tell their story of what happened that night and how the city of Las Vegas and the LVMPD handled their traumatic situation.  The concept of #VegasStrong which occupied the whole country to donate their monies to these victims was given but was brought to the wrong hands as it was skimmed from the top.    Maybe one of the most terrifying events in US History was easily forgotten but we speak to director Ramsey Denison here on FERNTV as to why that is and if there is political and police corruption behind it all.  Who would have thought?
FERNTV:  What was the actual incident or key that would make you investigate the 2017 mass shooting in Las Vegas and make it into this film Money Machine?
Ramsey:  I have several friends who were retired LVMPD officers who called me shortly after 1 October and told me that Sheriff Lombardo was hiding information from the public and not telling the whole truth. For example, there was an accidental discharge… an officer’s gun went off as the
LVMPD breached the door and entered Stephen Paddock’s room… a fact that Sheriff Lombardo neglected to mention in his press conferences.
He also hid the fact that an LVMPD officer who was in a position to do something to stop Paddock while the shots were going on instead stood in the hallway, cowering. That officer, Cordell Hendrix, was later fired by the department (and later rehired).
FERNTV:  What are your primary thoughts on the #VegasStrong campaign?
Ramsey:   #VegasStrong was a con. It was never about the victims. In the first 5 months, less than $20,000 of the over $10 million raised made it’s way to the 1 October victims. It was an election year and #VegasStrong was an opportunity for politicians like Steve Sisolak to get national face time,
but he was too busy jumping in front of cameras to make sure the money made it’s way to the people who needed it most and even today there’s still a lot of questions and very little transparency about where the funds went.
FERNTV:  What was the experience like to select the victims to tell their story in this film?
Ramsey:  Several 1 October victims approached me to tell their story. They felt like it was a story that wouldn’t be told and needed to be.
FERNTV:  What were your thoughts on the security at Mandalay Bay and how easy it was for Stephen Paddock to bring weapons and ammunition into his hotel room?
Ramsey:  What security? The bottom line is over 200 cameras were not working at Mandalay Bay on the night of 1 October and Stephen Paddock was able to bring over 20 guns to his room and fire on a crowd of over 20,000 people uninterrupted for 10 minutes. I believe that both
the LVMPD and MGM Resorts International worked together to minimize MGM’s legal liability and they got help from a sell-out lawyer named
Robert Eglet who represented around 2500 of the 1 October victims and was supposed to be on their side. Eglet will walk away with over
$100 million… without even having to take the case to trial, so… the lawyers won… MGM Resorts won… but the victims lost. This case should have been in the billions… and would have been… if a corrupt police department didn’t work with MGM to minimize their legal liability.
FERNTV:  Was it difficult to have Stephen Paddock’s brother Eric to come forth and speak on his behalf in this film and why do you think he wanted to participate?
Ramsey:   Eric knew his brother Stephen Paddock better than anyone else in the world did. I think he wanted the truth out there and the truth is that MGM Resorts and their selfish and deceitful behaviour are part of the reason Stephen Paddock did this. To be clear, there’s nothing rational or reasonable or justified about what Stephen Paddock did. He’s a lunatic, but even lunatics have motives.   There’s a reason why he did what he did where he did it (from an MGM property). He wanted to leave them liable… and he did.
FERNTV:  Do you feel that the country forgetting about this incident is almost like gaslighting?
Ramsey:   I think Vegas made a concerted effort and used massive resources to help America forget. Vegas is a money machine and anything
that gets in the way of the cash gets shoved out of the way real quick.
FERNTV:  Why did you choose to include the coronavirus pandemic in the latter end of the film?
Ramsey:   Because it fit the theme of the film perfectly. The fact that Mayor Carolyn Goodman was so desperate to get the register’s ringing in Vegas that she was willing to offer up tourists to be a COVID-19 control group shows how incredibly myopic she is and that the only thing she cares about is money. If tourists from Omaha… or Miami… or Pittsburgh get COVID-19 in the casinos and take it back home with them, it doesn’t matter… as long as they leave their money in Vegas. Cash, cash, cash. Money money money.
FERNTV:  How do you feel about the gambling industry going down the way it is today?
Ramsey:  I’m no pilgrim. I’ve done plenty of gambling in my life and had fun doing it, but the idea put out there in those Vegas ads… that you are going to roll into the casino and walk out of it rich with 2 hot blondes on your arm that’s not the way it usually goes. It’s an illusion… like most things in Vegas.

Fernando Fernandez is a graduate of Environmental Studies at York University in Toronto. He became interested in entertainment journalism in the late 2000s writing for online startups. He founded FERNTV in 2009 and focused mainly on the film industry. With over a thousand interviews conducted with all walks of life in film, he is still learning as if every day is day one.

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